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"We can be any band we want to be": Mikey Shoes on Queens of the Stone Age's Perfecth
The Next Evolution: Justin Norvell on Fender's American Professional Series
Mike Stringer on Spiritbox's tranisiton from bedroom moshers to arena headliners
EMEREE talks laughing, travelling and dancing to fuel her creative process
Dressed For The Occasion: Troy Van Leeuwen on his Squier Paranormal Telecaster XII
Inside Fender Custom Shop with Dennis Galuszka
CODE drumheads are bringing the ‘new traditional’ to Australia
Three steps ahead: The history of Duesenberg Guitars
My Rig: Crooked Colours
Enter the forest with Avatar: ‘Do something where you can find enjoyment in the grind’
Edge-terminated vs. centre-terminated mics: What's the difference?
Mastodon are riffing towards the unknown
Fifty years on, Turramurra Music is still all about their community
FRIDAY* on rituals, Ableton and trusting the first take
"The product has to make sense in the real world": Fluid Audio makes accessible, accurate and honest tools for musicians
Plini has played the long game, and he's still evolving
"Australia is one of the best places for heavy music": Paleface Swiss are ready for their return
