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“Thank you for the Wingdings”: TISM talk baking, Opera House fallout and the No Mistakes tour (sort of)
"We're coming down to go after it 110%": Dez Fafara on DevilDriver's Australian tour
‘The creative process was very aligned’: Alice Ivy on creating a demo set for Ableton
Peter Hook on reclaiming Get Ready, finding his bass voice and carrying Joy Division’s legacy
Death Cab for Cutie ditch perfection and capture the moment on I Built You a Tower
Ableton's effects keep getting better – Eluize breaks it down
Bush is a band well-lived, and they aren't done yet
Behind the scenes of Triple R’s weekly Live at RRR broadcast
"Punk is beyond definition": The Damned bring 50 years of conviction to Australia
TISM vs. TISM vs. TISM – an ambitious show, executed masterfully
"This is art – you can do whatever you want": Slomosa on Tundra Rock ahead of Australian dates
The Lemon Twigs on Look for Your Mind!: writing for vinyl and letting their dad derail the closing track
Focusrite brings the ISA preamp circuit into the audio interface era with the ISA C8X
Crash Symphony Productions: one of Australia's most advanced surround sound studios
Inside Sabre Sound Studio, Melbourne’s newest world-class recording space
"We're making records we're genuinely proud of": Australia's longest running professional recording studio, Studios 301
If you’re feeling sinister, go off and see Belle & Sebastian, thirty years on
