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Edge-terminated vs. centre-terminated mics: What's the difference?
Mastodon are riffing towards the unknown
Fifty years on, Turramurra Music is still all about their community
FRIDAY* on rituals, Ableton and trusting the first take
"The product has to make sense in the real world": Fluid Audio makes accessible, accurate and honest tools for musicians
Plini has played the long game, and he's still evolving
"Australia is one of the best places for heavy music": Paleface Swiss are ready for their return
"Every record has to break ground for us": Troy Van Leeuwen on three decades of Queens of the Stone Age
“Thank you for the Wingdings”: TISM talk baking, Opera House fallout and the No Mistakes tour (sort of)
"We're coming down to go after it 110%": Dez Fafara on DevilDriver's Australian tour
‘The creative process was very aligned’: Alice Ivy on creating a demo set for Ableton
Peter Hook on reclaiming Get Ready, finding his bass voice and carrying Joy Division’s legacy
Death Cab for Cutie ditch perfection and capture the moment on I Built You a Tower
Ableton's effects keep getting better – Eluize breaks it down
Bush is a band well-lived, and they aren't done yet
Behind the scenes of Triple R’s weekly Live at RRR broadcast
"Punk is beyond definition": The Damned bring 50 years of conviction to Australia
