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"We're making records we're genuinely proud of": Australia's longest running professional recording studio, Studios 301
If you’re feeling sinister, go off and see Belle & Sebastian, thirty years on
Edge-terminated vs. centre-terminated mics: What's the difference?
‘The creative process was very aligned’: Alice Ivy on creating a demo set for Ableton
Rebuilding a masterpiece: Inside the live reimagining of Tubular Bells
After 20 years, The Horrors continue to keep things interesting ahead of their April tour
Devil’s thunder down under: Cradle Of Filth prepare for Terra Extremis
Spin Doctors' Aaron Comess: "I've always tried to serve the song first and foremost"
Cut Worms on Transmitter and working with Wilco's Jeff Tweedy ahead of his debut Australian tour
"I really think of it as a community show": Sydney Guitar Show is expanding the conversation
Moss is making acres worth of nature-based beats – and you can, too
Four decades into a remarkable career, Diesel is as inspired as ever
Electro-Harmonix, Mike Matthews and the art of making noise
In Focus: Supercool Pedals
“We really respect our community”: Behind HEALTH’s success, ahead of CONFLICT DLC
Rex, Eston and the Bass King legacy: Inside Australia’s amp empire
The mind behind Ableton Push, Jesse Terry
