Harrison Audio’s Tape Saturator plugin bottles the sound of the golden era of recording
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19.02.2026

Harrison Audio’s Tape Saturator plugin bottles the sound of the golden era of recording

tape saturator
Words by Mixdown

The Harrison Tape Saturator is a classic analog tape saturation plugin that emulates the sonic character of 1970s 2-track reel-to-reel tape machines in a single, powerful software emulation.

Few sounds in recorded music are as universally chased as the warmth of analog tape – and Harrison Audio has just made it a lot easier to get there.

Nashville’s Harrison Audio, the company behind decades of studio console innovations, has announced the Harrison Tape Saturator: a plugin designed to faithfully emulate the sound of classic 2-track reel-to-reel tape machines from the 1970s. Modelled on the machines that shaped some of the best-sounding records ever made, the Tape Saturator brings that unmistakable analog character into the box, from subtle warmth and cohesion through to rich, full saturation.

Catch up on all the latest news here.

Under the hood, the plugin enhances audio signals with layers of even- and odd-order harmonics, thickening the low end, smoothing the top, and gently taming transients. Natural tape-style compression is also part of the picture, helping glue a mix together in a way that’s difficult to replicate with standard compression alone. The sonic profile aligns closely with Harrison’s 32Classic console – the kind of desk that was a fixture in serious studios of that era – making the Tape Saturator a natural companion for anyone already working within that signal chain.

The feature set covers everything you’d want from a tape emulation. A Fidelity Selector lets you choose from five tape grades, ranging from clean and wide-bandwidth through to lo-fi and characterful. The Speed Selector spans from 60 ips studio-grade performance down to 1 7/8 ips, mimicking classic consumer cassette machines. Drive dials in the intensity of the saturation, while Flutter and Dropouts introduce the kind of mechanical imperfections that made vintage tape so texturally interesting – pitch fluctuations, dropout artefacts and all. Rounding things out, a Hiss control lets you add as much or as little vintage noise as the track calls for, and a curated preset library makes it easy to find a starting point fast.

Harrison Audio is also hosting a live stream, The Golden Era of Recording, on Tuesday, 4 March at 5:00 AM AEDT (Monday, 3 March at 12:00 PM Central Time / 6:00 PM GMT). Co-hosted by Grammy-nominated recording engineer, producer, and mixer Joe Carrel and Harrison Audio specialist and recording engineer Jacob Lyons, the session explores what made classic Harrison designs – from the original 3232 through to today’s 32Classic, 32C, and Tape Saturator plug-ins – so influential, and how those principles translate to modern in-the-box production.

Compatible with AAX, VST, VST3, and AU formats, the Harrison Tape Saturator slots into most major DAW setups.

For more information or to purchase, visit Harrison Audio.