Review: Epiphone Futura SG Custom in Nitro Finish
The T-Top is back: Gibson reissues its iconic 1968 humbucker in two classic colourways
Predatory booking practices, budget fallout and more: Australian music industry news
Report shows community radio generates $153 million for Australian music scene
Review: Liminal by FlickSwitch Audio
The P Bass turns 75, and Fender's anniversary collection spans every era of its history
TISM vs. TISM vs. TISM – an ambitious show, masterfully executed
Inside Eurovision 2026: the world-class sound of Sennheiser's Spectera
Novation upgrades its FL Studio keyboard controller with semi-weighted keys, an OLED display and deeper DAW integration
EHX revives a lost Big Muff circuit with the most feature-packed bass fuzz it's ever made
PRS marks 25 years of SE with two new hollowbodies and some very limited amp colourways
"This is art – you can do whatever you want": Slomosa on Tundra Rock ahead of Australian dates
Mixdown Magazine #344 is out now.
Read our brand new print edition online.
TSIM announce first national headline tour in 30 years – and no, it's not a spelling mistake
Lee Seung Yoon becomes Epiphone's first Korean signature artist
Single-use batteries are costing live audio venues thousands – Klvr aims to fix that
Noble raises the bar on wireless audiophile headphones with the limited-run FoKus Apollo Pro
Apogee Control V3 brings real-time DSP plugin processing to Symphony Studio interfaces
