Xvive has expanded its colour options for its A58 guitar wireless and U45 in-ear monitor systems, arriving in Australia this February.
Xvive has added a pop of colour to its wireless lineup by introducing orange variants for both the A58 guitar wireless system and U45 wireless in-ear monitor system. The eye-catching additions join the existing black U45 model, giving performers a fresh alternative to the usual monochrome options.
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The A58 Guitar Wireless System operates on the 5.8GHz frequency band, which Xvive points out is significantly less congested than the crowded 2.4GHz spectrum. This translates to more reliable connections with a lower chance of interference from other wireless devices cluttering your stage or studio space. With a range of 100 feet, you’ve got plenty of room to move around without worrying about dropouts.
Audio performance sits at the heart of the A58’s appeal. The system delivers 24-bit/48kHz resolution with an impressively low 5ms latency—barely perceptible even to the most sensitive players. The signal-to-noise ratio hits 110dB, ensuring your tone stays clean from transmitter to receiver. Xvive has also built in automatic channel scanning to find the clearest frequency, plus both passive and active modes to accommodate different pickup configurations.
Meanwhile, the U45 Wireless In-Ear Monitor System tackles the other end of the signal chain. Whether you’re using earbuds, headphones, or professional in-ear monitors, this system means you can ditch the cables without compromising on quality. Like its guitar-focused sibling, the U45 operates on 5.8GHz to minimise interference issues. The setup is straightforward: a transmitter unit connects to your mixer or audio interface, while the belt-pack receiver pairs with your chosen listening device.
The combination of reliable 5.8GHz transmission, quality audio specs, and now more colour choices gives musicians and audio professionals another reason to consider cutting the cord. Set to land in Australia in early February 2026, these systems arrive just in time for the new year’s round of gigs and recording sessions.
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