Gear Rundown: Tash Sultana

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Gear Rundown: Tash Sultana





Like most people, there’s a good chance you first saw Tash Sultana when you were scrolling through your newsfeed one day and happened upon their viral performance of ‘Jungle.’ Throughout the video, Sultana bops about their bedroom, stacking layers strumming away on an Olympic White Fender Jazzmaster with a tortoise shell pickguard, which you can see above.



It also looks like Sultana owns another Jazzmaster, decked out in a Seafom Green finish, which is used sporadically for live performances and can be seen in pictures from their busking days.





One of Sultana’s main touring guitars, this Fender Telecaster is a semi-hollow 70’s reissue with a natural finish and maple fretboard, and fitted out with two fat-sounding Fender Wide Range humbuckers.





In a recent performance for Rolling Stone, Sultana can be seen shredding away on a Fender Jimi Hendrix Signature Stratocaster, modelled with a reversed headstock and slanted pickups in tribute to the famous maple fretboard ’68 model played by Hendrix at Woodstock.





Acquired from Melbourne’s GH Music last year, Sultana uses this Richie Kotzen Tele as another touring guitar. Distinguished by its gold hardware and DiMarzio Twin Blade bridge pickup, it looks like Sultana swapped out the original pickguard in favour of a tortoiseshell guard, which appears to be the only significant modification to the guitar.



If you ever spotted Tash Sultana busking around Melbourne’s Bourke Street mall before they became a global sensation, you might have seen them rocking this bad boy. A higher end Epiphone model, the Custom Pro offers all of the same features of a Gibson Les Paul Custom for a whole lot less dough, making it a viable option for musicians on a budget.





Similar to the style of fellow Aussie guitar virtuoso John Butler, Sultana plays a Maton SRS70/C 12 string tuned to Open C on their track ‘Blackbird.’ Discussing the piece with Premier Guitar, Sultana confessed that they, like Butler, only plays with 11 strings on her Maton. “It just breaks,” she says. “It is the most common string that I break. If it’s broken, I won’t put it back on. I don’t really care.”



Sultana also tours and records with an Epiphone MM-50E Mandolin, featuring a NanoMag pickup system with the controls laid into the pickguard of the folk instrument.




In the studio, Sultana tends to rely on the tones of four different amps, often simultaneously, using a Vox AC30, a Fender Deluxe Reverb, a Marshall JCM2000 TSL100 head, and an Orange head with a matching cabinet, which can be seen in the above image.


However, due to their layer-heavy live sound, Sultana eschews the use of live amplification, instead plugging straight into the P.A. “I don’t use an amp live,” Sultana told Premier Guitar in an interview conducted earlier this year. “Too much bottom end comes through and amps don’t work with drum samples. It doesn’t sound as good for how I’ve set my stuff up.”




A true effects junkie, Sultana operates an extremely sophisticated effects setup to beef up their guitar chops, with a Boss RC-30 Loop Station at the heart of their rig to layer loop upon loop of sound.



While Sultana is super secretive about the specifics of their signal chain, by looking at a couple of shots of their pedalboard, you can spot a whole bunch of BOSS pedals including three BOSS GE-7 Equalisers, a BOSS DD-7 Delay, a BOSS TE-2 Tera Echo, a BOSS AW-3 Dynamic Wah, a BOSS TR-2 Tremolo, a BOSS ST-2 Power Stack, and the classic BOSS TU-2 Chromatic Tuner. In addition to that, they also run a Dunlop Crybaby Mini, an EHX Soul Food Overdrive, a TC Electronics Hall of Fame Reverb and a Beta Aivin OC-100 Super Octave for simulating bass lines live.


Vocal manipulation and processed harmonies also pop up throughout most of Sultana’s tunes, which tend to be done with two seperate TC Helicon VoiceTone Harmony G units set up for different effect modes, which can be seen on their separate board.






A tried and true classic used by musicians around the world, the familiar sight of a Korg MicroKorg can be spotted in various pictures of Sultana in the studio, presumably used for its array of synth bass and pad tones.





The organ sounds of the Nord Electro 4 can be prominently heard in Sultana’s groove heavy track, ‘Murder to the Mind.’





While they also use a SPD-SX drum-pad and a HPD-15 Percussion Controller for triggering and creating drum loops on the fly (which can be seen all together in the above image), Sultana’s core drum sound tends to come from the humble Roland SP404SX sampler, a highly respected and heavily used sampler used by dozens of electronic and hip-hop producers for its intuitive sampling abilities.



(Feature Image: Alicia Fox)