road test

WOODIE GUITAR STAND

The Woodie is a unique acces­sory which will look great dis­play­ing your proud­est gui­tar acqui­si­tion in the lounge room/pool room/rumpus room or on stage, and the best part is that it really works: the way it seems to gen­tly grip the gui­tar feels very secure and sturdy. And in the del­i­cate bal­anc­ing act of form verses func­tion, the Woodie is a winner.

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WAY HUGE ELECTRONICS ANGRY TROLL

The Dun­lop asso­ci­a­tion and sub­se­quent re release of the Way Huge line seems to have been a suc­cess­ful one so far giv­ing those want­ing that once elu­sive sound another chance with ped­als, con­sulted and over­seen by the orig­i­nal designer him­self — not just approx­i­mated clones from another builder.

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X200ProE_550

WASHBURN X-200 PRO E

X200ProE_550

Wash­burn has made some killer double-cutaway gui­tars over the years, from the N4 and Steve Stevens mod­els to the X series to over-the-top cre­ations with 36 frets. The com­pany has never shied away from build­ing gui­tars for all price points, and the X-200 PRO E comes in at sub­stan­tially less than you prob­a­bly expect to pay for a gui­tar with appoint­ments of this nature. Let’s have a look.

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WALDEN D56O ACOUSTIC GUITAR

The news is that the Walden D560 is quite the nice gui­tar. Whilst a pretty, no frills instru­ment, it has a well bal­anced tone with good clar­ity and volume.

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Vintage VSA590 Hollowbody

VINTAGE VSA590 HOLLOWBODY GUITAR

Vintage VSA590 Hollowbody

for the price the VSA590 really needs a look whether you’ve got a small bud­get or lean­ing more towards the gui­tars on the top shelf. Vintage’s rep­u­ta­tion has been slowly grow­ing over the last few years and with good rea­son — nice gui­tars with usable fea­tures at a good price.

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ASHDOWN 427 SMALL BLOCK HEAD, BTA 400 TUBE HEAD & USA 810 CAB

Play­ing through an 8x10 (affec­tion­ately known as ‘fridges’ by most peo­ple) is some­thing every bass player should do at least once in their life! 4 x10 cabs are cool and typ­i­cally more than enough vol­ume to smash out any gig but 8 x10s really need to be heard to prop­erly con­vey their tone, power and sheer size.

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TAYLOR 8-STRING BARITONE

Bob Tay­lor summed up the appeal of the 8-string like this: “The great thing about hav­ing those extra strings in the mid­dle is that you can play on them, you can play around them, you can accen­tu­ate them, you can de-accentuate them, you can strum them, you can fin­ger­style them. And it seems like any­body that plays gui­tar gets on that and says ‘Oh, I know how to use this! I know just what I want to do!’ When you play it, it sort of comes nat­u­rally, how to employ what it can do. And that’s why peo­ple are excited about it: because it offers some­thing truly new.”

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TASCAM DR-2D LINEAR PCM RECORDER

The front panel fea­tures an LCD screen that is packed with infor­ma­tion as well as con­trols for Stop, Play/Pause, Record, Menu, For­ward and Back­ward among oth­ers as well as a jog wheel for quickly nav­i­gat­ing through its options.

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TASCAM DP-008 PORTASTUDIO

The DP-008 really lives up to its name in a way that its tape-based pre­de­ces­sors couldn’t: it’s really portable (instead of rel­a­tively eas­ily mov­able like my old 4-track), and it packs a lot of the fea­tures of an actual stu­dio — and of course it records to CD qual­ity, which is a lot bet­ter than record­ing song sketches onto your mobile phone.

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SUHR BADGER 30-WATT HEAD & 1X12 CAB

To be hon­est you could actu­ally get two of these for the price of some other bou­tique mak­ers and lan­guish in tone heaven — or just pay one of your mates to do the switch­ing for you. Either way the Bad­ger is a rip­ping tone machine no mat­ter what your musi­cal taste.

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