Tag Archives: mixdown

WOODIE GUITAR STAND

The Woodie is a unique acces­sory which will look great dis­play­ing your proud­est gui­tar acqui­si­tion in the lounge room/pool room/rumpus room or on stage, and the best part is that it really works: the way it seems to gen­tly grip the gui­tar feels very secure and sturdy. And in the del­i­cate bal­anc­ing act of form verses func­tion, the Woodie is a winner.

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WAY HUGE ELECTRONICS ANGRY TROLL

The Dun­lop asso­ci­a­tion and sub­se­quent re release of the Way Huge line seems to have been a suc­cess­ful one so far giv­ing those want­ing that once elu­sive sound another chance with ped­als, con­sulted and over­seen by the orig­i­nal designer him­self — not just approx­i­mated clones from another builder.

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WALDEN D56O ACOUSTIC GUITAR

The news is that the Walden D560 is quite the nice gui­tar. Whilst a pretty, no frills instru­ment, it has a well bal­anced tone with good clar­ity and volume.

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Vintage VSA590 Hollowbody

VINTAGE VSA590 HOLLOWBODY GUITAR

Vintage VSA590 Hollowbody

for the price the VSA590 really needs a look whether you’ve got a small bud­get or lean­ing more towards the gui­tars on the top shelf. Vintage’s rep­u­ta­tion has been slowly grow­ing over the last few years and with good rea­son — nice gui­tars with usable fea­tures at a good price.

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TAYLOR 8-STRING BARITONE

Bob Tay­lor summed up the appeal of the 8-string like this: “The great thing about hav­ing those extra strings in the mid­dle is that you can play on them, you can play around them, you can accen­tu­ate them, you can de-accentuate them, you can strum them, you can fin­ger­style them. And it seems like any­body that plays gui­tar gets on that and says ‘Oh, I know how to use this! I know just what I want to do!’ When you play it, it sort of comes nat­u­rally, how to employ what it can do. And that’s why peo­ple are excited about it: because it offers some­thing truly new.”

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TASCAM DP-008 PORTASTUDIO

The DP-008 really lives up to its name in a way that its tape-based pre­de­ces­sors couldn’t: it’s really portable (instead of rel­a­tively eas­ily mov­able like my old 4-track), and it packs a lot of the fea­tures of an actual stu­dio — and of course it records to CD qual­ity, which is a lot bet­ter than record­ing song sketches onto your mobile phone.

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SUHR BADGER 30-WATT HEAD & 1X12 CAB

To be hon­est you could actu­ally get two of these for the price of some other bou­tique mak­ers and lan­guish in tone heaven — or just pay one of your mates to do the switch­ing for you. Either way the Bad­ger is a rip­ping tone machine no mat­ter what your musi­cal taste.

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SE ELECTRONICS SEBUNX1 BUNDLE

As an all in one bun­dle, this is a great idea. It gets the user ready to record qual­ity vocals with the addi­tion of a micro­phone stand right away. This makes it a great solu­tion for the home or project stu­dio, but it may be out­side of the bud­get of many home studios.

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SADOWSKY METRO 5 BASS

Made in Tokyo, Japan these instru­ments really are top shelf and I’ve delib­er­ately tried to steer clear from the ‘sent some­where else to be made to save on cost’ state­ments as that kinda point is seri­ously moot here! Try the Metro…I doubt you’ll be disappointed.

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Reverend Buckshot

The Buck­shot is a sur­pris­ingly capa­ble lit­tle gui­tar which sounds famil­iar yet new, much like how it looks. It’s also worth point­ing out that playa­bil­ity straight out of the box (well, out of the case) was utterly flaw­less: low enough to not get in the way of more fleet-fingered wan­der­ings, but high enough to main­tain nice lively tone.

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