Reviewed: Strauss Street Box Busker Amplifier
Back on the scene for the last few years, Strauss have released a range of heads and combos, mostly in classic low wattage valve type configurations, resurrecting a part of Australian music heritage. Branching off to cater for some additional musical situations, they have recently announced the arrival of the Street Box rechargeable busker amp. With portability in mind, this little fella could be a grab and go for outdoor work or interesting logistical setups where power and typical arrangements aren’t possible.
Reviewed: Fender Brad Paisley Road Worn Telecaster
A flash guitar designed for flashy players? Yep, that’s exactly what you’re in for with Fender’s Brad Paisley signature Telecaster. While clearly this isn’t a guitar for everyone, those who are after a Tele built for fast licks and one-of-a-kind appointments that’ll have you standing out from every other guitar player in the country have hit the jackpot.
Reviewed: Lewitt Audio DTP 640 REX Kick Drum Microphone
The Lewitt DTP 640 REX is one microphone that many live and studio engineers are going to want to get a look at and, more importantly, a listen to. Packaging two microphones in one? Well, why not?
Reviewed: Yamaha HPH MT5 and MT8 Headphones
Headphones have come a long way. The quality, detail, clarity, weight, comfort factor and portability make them usable and appropriate for a range of functions and work as anything from serious studio reference tools to portable music player add-ons and even fashion items. Whilst small bud sized in ear headphones are great for some applications, the over ear enclosed designs have continued to be a mainstay in the professional music arena and had a huge resurgence with the general music playing public. Yamaha are seemingly always at the forefront of music gear design and research, and they’ve released some new models under the HPH range to suit a range of budgets.
Reviewed: Fender Monterey and Newport Bluetooth Speakers
Imagine what it must be like being the biggest instrument manufacturer in the world. Not only are you the progenitor of one of the biggest paradigm shifts in music history, but you’ve also consistently raised the benchmark for quality builds and ingenious design for decades. You’ve just launched yet another successful and sought after series of instruments that smokes the competition and you’re looking for a little fun project to keep things interesting. What’s a huge instrument company to do? The answer lies in the satellite interests that keep your loyal army of propeller heads frothing. Why do these people play guitar? Because of their love of music. What do they do with music other than play it? Listen to it. What’s the newest and most innovative way to listen to music to emerge in recent years? Enter Fender’s new Monterey and Newport Bluetooth Speaker systems.
Reviewed: Mad Professor Amplification Bluebird Overdrive Pedal
There are several words all too often employed by guitar players in order to describe the tone of their dreams. Words like ‘transparent’ and ‘saturated’ get bandied about liberally by people who don’t necessarily know what they mean in general, let alone in relation to the search. One that gets less of a look in but that is equally mercurial is the word ‘sensitive.’ How can the sound of a tube amp being pushed to its very limits be described as anything other than flat out? It seems counterintuitive to anyone who hasn’t tried the Bluebird Overdrive from Mad Professor Amplification.
Reviewed: Dynaudio LYD 48 Studio Monitor Speakers
I think it is safe to say that the new LYD series of studio monitors from Dynaudio is going to be the most usable range of speakers they have ever produced for the home studio. There are a few tricks that are included in these monitors that will make them ideal for many of our readers, especially those recording and mixing in slightly larger rooms. Let’s have a listen to the LYD 48 near to midfield active studio monitors and see what they’re made of.
Reviewed: Sterling by Music Man Ray 34 Bass
When I’m not assailing you, dear reader, with seemingly endless dross in these hallowed pages, I spend my days gainfully employed at your friendly, local guitar store. More often than not when people venture into Bass Corner, down towards the back of the shop, they pick up the P-Bass or Thunderbird that we have safely nestled back there and do their best Flea impersonation. Now, while Leo Fender’s Precision may be one of the most recorded basses in music history, these people are cruelly overlooking a machine that is much more suited to that particular style of playing: the Ernie Ball StingRay, whose honking high mid-range vivacity and balance sits perfectly in the pocket of the more percussive elements of modern music. While they may not sit well with the snobby, classic-rock crowd, there is more than enough colour in the StingRay to render it a welcome addition to any collection. Sterling pays tribute to the mainstay of the So-Cal revolution with their Ray 34.