Reviewed: PreSonus FaderPort 16
Most of you who keep an eye on home studio gear will certainly be aware of the PreSonus FaderPort. The original compact control surface for transport and fader controls made its way into many home studios over the last ten or so years, and still continues to be a popular option for simple mix tasks when you don’t want to use the mouse for every function. Well, with a few advancements in the last couple of years, PreSonus have now launched their flagship model in the FaderPort line, one that will offer far more control and a greater ‘hands-on’ workflow. Offering more than ever, the FaderPort 16 is here.
Reviewed: Bome Box
When I think back to some of my studio setups in the 90’s and years following, there were always several MIDI merge boxes, through boxes, routers and other devices holding together the mess of five pin DIN cables that ensued. It was beautifully simple and yet stupidly complicated all at the same time. Then, as technology developed, we started to see MIDI over USB and devices began to appear that no longer sported the classic five pin DIN connection, yet still they operated on MIDI signals. This is where so many recording and production setups have been split with the old and the new devices not talking to one another, even though they are all speaking the same language. What resulted was the need to have your computer always in the centre of the setup to convert and route your MIDI signals. At least, that was the case, until the advent of the Bome Box.
REVIEWED: TWO NOTES AUDIO ENGINEERING TORPEDO CAPTOR LOADBOX AMP DI
Home recording is a heck of a lot of fun, but it can also be loud, at least if you want to capture the fury of a raging tube amp in all its rabies-froth-spitting glory. Two Notes have been solving this problem with a series of digital load box/cabinet emulators, but now the new Captor is here to offer a more affordable take on the issue.
Reviewed: Focusrite Scarlett Solo Studio
Focusrite are the makers of some of the world’s most revered preamps and channel strips. Their Red series and ISA rack models can be found in top studios the world over. So, it goes without saying that they know a thing or two about great front end audio equipment. This puts them ahead of the pack when it comes to building audio interfaces, as they already have a stable front end to build off. And of course, the reputation of the Red series is what Focusrite have banked on with their Scarlett range of budget audio interfaces. Targeted at home studio to intermediate users, the Scarlett series offers a wide range of recording solutions. The most versatile for a musician looking to start recording would probably be the Scarlett Solo Studio bundle.
Reviewed: Focusrite Red 8Pre Thunderbolt Interface
It’s been a while since I have had my hands on some of the higher-end Focusrite interfaces. I see and use Scarlett models all the time, so it makes for a pleasant change to get this beauty on my desk this month. Allow me to introduce the new Red 8Pre from Focusrite. For those of you looking for a serious track count, Focusrite quality microphone preamps with digital control and ProTools HD compatibility, you can find it all in this one very sleek and very stylish unit. This is a little bit of a number of Focusrite units from recent years all brought together with some clever engineering to create a single rack space or I/O heaven.
Reviewed: PreSonus Studio 26 USB Audio Interface
PreSonus offer a range of products to cater for different needs, but they are mostly known for their audio interfaces, in particular the AudioBox. PreSonus have taken the simplicity of that unit and delivered a new USB audio interface that offers quality audio and a very workable hardware interface that will certainly feel right at home with so many compact recording setups looking for style and sound quality. The new Studio 26 USB is here to offer that little bit extra in the same compact housing.
REVIEWED: AVID Pro Tools Eleven Rack
This is not the first time I have gotten my hands on the Eleven Rack. My first foray with it was back when it existed only as a plugin for guitar amp modelling within Pro Tools, but since then I have been able to use one a number of times as a recording tool for quality guitar tones. But I haven’t overlooked the treasures this holds as a live guitar tool too. AVID’s Pro Tools Eleven Rack ties it all together to give users not only the flexibility they have demanded, but the quality and stability that they need both in the studio and on stage.
REVIEWED: SOFTUBE CONSOLE 1 CONTROLLER
For a lot of musicians, nothing beats the tactile experience of a physical mixing board. Of course, that’s not always possible, practical or affordable, especially in a home studio. We try to make do with plugins but we miss the interactivity of actually grabbing a control knob and twisting it until something magical happens. The Softube Console 1 tackles this in an extremely elegant manner. It’s a hardware control surface that gives you hands-on access to EQ, compressor, gate, volume and pan on all your tracks, and while it’s always possible to map controls like that onto any MIDI controller with enough knobs and buttons, this device doesn’t require any MIDI mapping. Everything is labelled, and it’s designed with incredible forethought as to how it would be used in the real world.