Reviewed: DV Mark AC 801P Acoustic Amp
We all know Markbass and DV Mark by now. Designed by Italian amp guru Marco De Virgiliis, they’ve carved out their own space in lightweight but robust amplifiers known for their clean sound reproduction and high quality speakers. The Mark Acoustic division doesn’t have as many products on the market as their bass and electric guitar counterparts, but the range has recently been joined by the AC 801, which follows on from models like the AC 101 and AC 601, which we reviewed in these pages about a zillion years ago.
Reviewed: MarkBass 121 Lite Bass Combo
Having played with the likes of Frank Gambale, Mike Stern and Billy Cobham, Alain Caron is a highly respected player in the music community. Likewise, Markbass is one of the most well-known bass amp manufacturers on the planet. It’s then understandable why the two parties would collaborate on the Combo 121 Lite. Continuing with their portable and lightweight amps that push some serious volume, Markbass seems to be onto another winner.
Reviewed: Ashdown OriginAL HD-1 Bass Head
Long a proponent of beefy, big gigging rigs, Ashdown has dived into the ‘Mini’ amp domain with the OriginAL HD-1 Head. Three hundred watts in a small unit that can tuck into a gig bag sounds like a back saving, portable little wonder. Joining the evolution of big bass brand names offering giggable rigs in small forms, Ashdown’s OriginAL range features a head and both 1x12 and 2x10 combos.
Reviewed: Phil Jones Bass Double Four
Phil Jones Bass amps are well-known for being stage-ready and crazy loud, and they use unique small speaker arrays to achieve their power. For instance, the 16-H Bass Horn speaker has a whopping 16 PJB Piranha Type A speakers and extensive baffled bass ports, and it’ll blow your head off. But you don’t always need that kind of power. The Double Four is a little amp that looks like a bass head until you get a little closer and realise that it’s actually a tiny combo that takes advantage of Jones’ small-speaker-but-big- sound technology.
Reviewed: Ashdown BTA 400 Bass Head
With the trend being smaller, compact units over the last few years there have still been some makers pumping out big valve heads that are meant to really make things move. Ashdown have been one of the serious players from the UK with their gear getting a work out by the likes of Nate Mendel, Geezer Butler and Adam Clayton. Pumping out a lot of watts with true valve power, the BTA 400 packs a punch.
Reviewed: DV Mark LITTLE 250 GH
The more of their products I review the more I’m fascinated by the self-contained bubble that Mark World is. Every time I find myself circling back to their website I’m greeted by the face of another player that Marco De Virgillis and co. insist are one of the biggest names in the game. Forgive my ignorance but before I reviewed their signature amps I’d never heard of players like Frank Gambale, Michael Angelo Batio or Greg Howe but I figure they must be going concerns if they are to have whole amp designs named for them. It reminds me of how much we limit our own horizons with specific subsets of interest and, while I might not be phased at all by fusion music or solid-state amps in my day-to-day life, there are people out there who absolutely froth over them. They have their own heroes, their own bands and their own specific image of what tonal purity looks like. Once again DV Mark has those erstwhile ‘others’ covered with the space conscious Little 250 GH.
REVIEWED: FENDER BASSBREAKER 45 AND 18/30 COMBO AMPS
The way I see it, being a household name has got to be more trouble than it’s worth. The progenitor of modern musical instruments, Leo Fender, must not have slept for decades trying to keep his beloved script logo from being eclipsed by any number of upstarts nipping at his heels, poor fella. Fender has consistently stayed ahead of the pack not only by building time-tested classics, but also by using these as springboards for new and improved versions of holy tonality. For many, the be all and end all of ear candy is the behemoth Bassman that has graced stages since almost forever. It is from this well that its direct descendants, the Bassbreaker Series of amplifiers, spring.
REVIEWED: TRACE ELLIOT ELF ULTRA COMPACT BASS AMPLIFIER
Is this a joke? What is this tiny thing I see before me and how in my right mind am I to expect anything resembling power to come out of such a little box? It’s the size of a greeting card for God’s sake; if I open it up will it play a low bit-rate version of Happy Birthday to me? *Flicks on switch and tentatively punches low E*… Holy hell, what kind of sorcery is this?