PEAVEY POWERSLIDE

Now is the per­fect time for Peavey to release the Pow­er­slide. Inter­est in slide gui­tar and its many vari­ants is at prob­a­bly an all-time high thanks to the work of play­ers as diverse as Derek Trucks, Ben Harper, Robert Ran­dolph, Jack White — even George Lynch throws in quite a bit of slide work on the lat­est Lynch Mob CD. So what is the Pow­er­slide, and why is it the per­fect instru­ment for the times?

I HAVE THE POWER!

The Pow­er­slide is a lap steel with a twist. It’s specif­i­cally designed to be adapted to what­ever play­ing style is most com­fort­able for you, whether it’s sit­ting down (the back is per­fectly flat so it won’t rock on the table), stand­ing up with the Pow­er­slide at a 90 degree angle to your body, stand­ing up or sit­ting with it against your body like a con­ven­tional gui­tar… it’s even clev­erly designed so it’s equally com­fort­able play­ing over the top of the neck or the bot­tom. In fact, the box the Pow­er­slide comes in fea­tures dia­grams amount­ing to a vir­tual Karma Sutra of poses for play­ing this bad thang. Included is a three-point ‘Y’ strap which will assist you in your var­i­ous rockin’ poses, or you can use it with a stan­dard gui­tar strap. There’s also a tone bar thrown in, although the help­ful instruc­tion man­ual sug­gests you check out other slide options too so you can find the per­fect one for you. The man­ual also includes a sim­pli­fied guide to open tun­ings, and the Pow­er­slide comes tuned to Open E.

Obvi­ously there are no frets, and the strings actu­ally sit about an inch or more above the neck. The stylised fret­board graphic shows you where the frets would be, act­ing as a handy visual guide, while a big ‘swoosh’ runs a full octave across the neck to help you iden­tify the octaves at a glance. You’ll also notice that the bridge has no into­na­tion or height adjust­ment capac­ity what­so­ever, but duh, this is a slide gui­tar! You don’t need them. The pickup is a pro­pri­etary Peavey hum­bucker, and the con­trols con­sist of a sin­gle vol­ume con­trol and a very clever tone pot. Turn it all the way up and you’re greeted by a fat-sounding tre­ble roll-off in full hum­bucker mode. Roll it all the way back and the tre­ble returns. As you con­tinue turn­ing it down, the pot fades down one of the hum­bucker coils, giv­ing you imme­di­ate access to both bucker and sin­gle coil tones.

LET IT SLIDE

In hum­bucker mode the tones of this baby are fat and rude, espe­cially with that tre­ble roll-off. You can get some very tough, bold-voiced tones here, which are great for power chord riffs and scream­ing lead lines. Wind back the tone con­trol to engage the sin­gle coil mode and you’ll find wiry, stringy, tough tones which are great for swampy blues riffs, and which respond espe­cially well to tweed-style amps. The Pow­er­slide makes it quite easy to adjust your tech­nique for slide even if you’ve never dab­bled in the style before, and it doesn’t take too long to work through the tor­tured cat sounds that I ter­rorised my fam­ily with for the first few hours of Powerslidin’.

TAKE A WALK ON THE WILD SLIDE

The Pow­er­slide is going to open a lot of cre­ative doors for many play­ers — hell, it’ll prob­a­bly bash out a cre­ative wall, install a cre­ative patio and fur­nish it with a whole bunch of cre­ative deck chairs. It’s tonally very ver­sa­tile, it looks like some­thing Wolf­man Jack might dig his gar­den with, and per­haps most impor­tantly of all, it’s a hell of a lot of fun to play.

Price: RRP $399

Dis­trib­u­tor: Audio Prod­ucts Group

Phone: (02) 9669 3477

Email: akarolewski@audioproducts.com.au

By Peter Hodgson

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